Machine Review

When I first laid eyes on the Native Instruments Maschine Mikro, I was struck by its sleek design and vibrant light-up sequence. The colorful display has become a daily delight for me, bringing a smile to my face each time I turn it on. It's not just about saving power; there's something soothing about watching the lights dance across the device, like a lion waiting patiently in the savannah for the perfect moment to pounce.

The Mikro exudes an aura of precision engineering, reminiscent of Germany-based Native Instruments' reputation for quality craftsmanship. When it's turned off, the device appears as nothing more than a block of black plastic with white buttons, but when the lights are on, it's transformed into a stunning piece of art.

In recent years, music gear has become increasingly cluttered and feature-rich, often prioritizing complexity over simplicity. The Maschine Mikro seems to be paying homage to the spirit of Akai's MPC60 by stripping away unnecessary bells and whistles, focusing instead on a layout that works for beat makers. This approach is refreshing, especially considering the device's primary function as a sample-based workstation.

The MPC60 was created in response to cluttered studios overflowing with gear, each with its own array of knobs, switches, and sliders. The Akai MPC60 itself deserves recognition in the Hip Hop Hall of Fame, and it's interesting to see how subsequent drum machines have evolved from this iconic device.

In conclusion, the Native Instruments Maschine Mikro is a beautiful example of form meeting function. Its design combines precision engineering with a nod to the past, resulting in a device that is both visually stunning and functional. Whether you're a seasoned producer or just starting out, the Mikro is an excellent choice for those who value simplicity and ease of use.

Maschine review